In 2024 Boogarins have shown that their creative flourish got to a more mature but not less intense mood. After a US tour in the first semester celebrating the 10th anniversary of their first record the band took this tour to their home country and also kept doing some concerts with the set “Boogarins Toca Clube da Esquina'', a special homage where they show their true deep influences and infuse the band sound into brazilian classics from artists that are in this specific scene of 70’s Brazilian Music, like Milton Nascimento, Lô Borges, Beto Guedes and others. The band are now coming back for their second North America trip of the year, this time hitting up new cities and acclaimed festivals like Desert Daze, Levitation and Hipnosis in Mexico. For this second round, Boogarins promises a new record till December and concerts with new songs and their unforgettable vibrant stage energy.

Initially a lo-fi project from Goiânia, land of the Sertanejo (Brazil’s country music), Boogarins have become one of the most celebrated Brazilian rock acts internationally: charming audiences around the world with intense performances where their beautiful songs are immersed in sonic textures and improvisations that transcend the language barrier. The group began its journey in 2013 on the underground stages of their hometown Goiânia, when they released their first EP As Plantas Que Curam. It caught the ear of US label Fat Possum/Other Music who re-released the group’s home-recorded debut later that year, earning positive reviews in the New York Times, Pitchfork, Chicago Tribune and paving the way for greater recognition of the band in Brazil. The following year the band toured through Europe and the United States supporting acts like The Clean, Of Montreal, Guided By Voices and Neutral Milk Hotel. During those tours, Boogarins produced their second album, Latin Grammy nominee Manual (2015). Between 2016 and 2018, the band was based in Austin, Texas, and recorded extensively between tours, ultimately resulting in their next two albums, the conceptual Lá Vem a Morte (2017) and Sombrou Dúvida (2019), which took them to major festivals around the world such as Coachella, Desert Daze Rock In Rio, Paredes de Coura and their first performance in South Africa.

During Pandemic times, they got very active with digital releases, partnerships with new brazilian artists and music production workshops, releasing a two volume b-side compilation (Manchaca) and also presenting a six episode visual experience of their Sessões De Cura e Libertação (Healing and Liberation Sessions) – what the band call their free improvisation sets, sometimes presented as a compliment to their actual sets.