Recorded in the USA, the album features musical production by the artist, Pupillo, and Adrian Younge.
Céu discovered herself as a songwriter during a season in the Lower East Side of New York. In the early 2000s, influenced by the performances of black and Puerto Rican MCs on the neighborhood's streets, the budding interpreter was seized by an extreme freedom to express herself through her own music. This boldness is evident in her debut album, "Céu" (2005), a record nominated for both the Grammy Awards and the Latin Grammy Awards, featured on various charts worldwide and on Billboard, becoming one of the best-selling Brazilian albums in the history of the United States. This audacity continues to guide her unique transnational journey, acclaimed with renowned awards and, no less importantly, recognition from audiences who deeply resonate with her.
In 2023, Céu returned to the USA, this time to the West Coast, where she conceived "Novela" (Urban Jungle/ONErpm), her sixth album of unreleased songs in her career, set to be released on digital platforms on April 26th. Recorded at Linear Labs Studio in Los Angeles, the production is signed by the São Paulo-born artist, the musician and producer from Pernambuco, Pupillo – former drummer of Nação Zumbi, co-responsible for "Tropix" (2016) and "APKÁ!" (2019), both by Céu, winners of three Latin Grammy Awards, and a producer for Gal Costa and Erasmo Carlos - and by the American multi-instrumentalist and arranger Adrian Younge, owner of Linear Labs, known for albums such as "Something About April" (2011), and for projects with Snoop Dogg, Kendrick Lamar, The Delfonics, and Wu Tang Clan, as well as co-directing the multimedia initiative Jazz Is Dead.
As is customary in Adrian's work, the album was captured live, without the technological gadgets of today. Recorded on tape, in a dynamic moment that demands total presence. An old-fashioned approach that harkens back to the beginnings of character-forming record recordings. Interestingly, a futuristic experience that, according to Céu, requires a lot of emotional intelligence and no artificiality. "Nothing vintage," she assures. In the studio, the band consisted of Pupillo (on percussion, programming, and drums), Younge (on keyboards, guitar, bass - in "Reescreve" -, arrangements, and conducting strings and winds), and Lucas Martins (on bass - in virtually all tracks -, guitar, and co-authorship of three of the 12 tracks on the album).
"Dawned in your lucky color/ Chant your mantra and go/ Singing/ Living is for the brave," says the lyrics of "Raiou," which opens "Novela." American MC and songwriter, LadyBug Mecca, from Digable Planets, whose parents are Brazilian, shares vocals with Céu. In "Gerando na alta," it's the turn of anaiis, a Franco-Senegalese singer and songwriter, based in London, England, to exchange impressions about sisterhood. Loren Oden and Jensine Benitez, singers from the USA, feature on "Into my Novela," a collaboration between Céu and Lucas Martins, the informal title track of the album, which talks about the teledrama of everyday life, where there are no TV cameras recording actions, nor predefined scripts. "I am the protagonist of my Novela/ So good, yeah baby/ I want to learn how you want me/ To love you."
There are other significant characters in the plot. Frankie Reyes, an American DJ and producer of Puerto Rican descent, contributes to the harmony of the track "Buá Buá," where Céu, the owner of the melody and lyrics, says: "Cry all the tears that one day/ You refused to cry/ Cry because you recognize/ That you won't find one of these." Hervé Salters, a French artist and leader of General Elektriks, co-producer of "Tropix," appears on "High na Cachú," whose verses by Céu say: "Cold sweet water makes me reborn/ While the stone calls me back to sit/ Retaining all the heat it kept from the sun/ I settle like a flower pollinating." Marcos Valle, a national treasure from Rio de Janeiro, co-wrote "Reescreve" with the São Paulo-born artist, which, at the end of the affectionate session, questions the perspective of colonizers in Brazilian history textbooks. "What was there/ I never believed in/ Every page I read/ Just made me more sleepy/ Since the peoples who were silenced/ The embers came to burn/ The truth comes to light/ It's too much material to work with." Before that, "Corpo e colo," the only track by third parties, is the result of the encounter between Nando Reis and Kleber Lucas. Recently, on social media, the award-winning gospel artist and pastor of Igreja Batista Soul, in Rio, celebrated the fact. "Another beauty coming. Beautiful partnership I made with my bro Nando Reis. I just received a preview of him singing and I am simply ecstatic," he said.
In "Novela," ancient technologies, healing, creaminess, bolero, polished stars, echoes of soul music, things of the earth, rap, and whispers to guides emerge. Throughout the record, there is a reaffirmation of the author's fearlessness, committed to her time, in the complexity and beauty of creative work. Always keeping the diversity of Brazilian music on the horizon. Stay tuned for exciting scenes from the next chapters.